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Theodore Rosendorf

Be Linen

08 November 2010, 10.10 | Posted in Interview, business | 1 comment »

Director _ Benoit Millot
Images _ Benoit Millot et Sébastien Jousse
Écriture _ Sébastien Jousse et Benoit Millot
Montage_ Franck Littot
Ingénieurs du son_ Arnaud Devillers _Jérôme Pierrot_Christophe Millet
Charles Ludig_Olivier Millo_ Louis Boulloche
Interprète_Simona Calza
Garphisme After Effect_ Nicolas Lichtlé
Sound Design & mixage_ Pocket Studio
Musique_ Cezame music agency

réalisation_ lepotagerdesign.com
Production_Goodideas – goodideas.fr
Agence _Villadelesia&Co – villadalesiaandco.com
Client_CELC Masters Of Linen – linenandhempcommunity.eu

Your Memories Will Be Rewritten

26 October 2010, 10.00 | Posted in Online Media, business | 1 comment »

Aza Raskin’s Keynote for the John Seely Brown Symposium at University of Michigan.

“Your past actions are the best predictor of your future decisions. Your past—or the memory of your past—has always been immutable. What if it wasn’t? What if marketers could meddle with your memories directly, instead of trying to insert their products into your daily flow?”

Link: Your Memories Will Be Rewritten

To the offices of Moleskine: Please move on from Rotis

27 July 2010, 14.10 | Posted in Books, Industrial Design, Print Media, Typography, business | 1 comment »

Lifehacker posted some nice photos of the Moleskine office in Milan and a new one in New York. Very nice. Perhaps after they’ve settled into their New York office, they could consider a new approach to the choice of type for their datebooks… The use of Rotis has had a good run. To be honest, it kind of feels like I’m writing in Ozzy Osbourne’s spell book. A more neutral face would do wonders for the experience.

 

State of the Graphic Design Market

13 October 2009, 13.00 | Posted in business, graphic design | 7 comments »

Illustration ©2009 Eric K. Stevens
Illustration ©2009 Eric K. Stevens

If you want to get a good feel for the state of the market, publish a want ad. I just did with the hope that it would help me fill four design positions. As many of you know, searching for talent is typically a process fit for a dentist with pliers. That’s certainly not the case now.

As I write this, my inbox is expanding with carefully worded pitches and uniquely formatted CVs. The response is beyond what I hoped for. The first hour after the posting brought 20 inquiries as if each had been prepared and put at the ready for rapid deployment. I cranked the music and set off to make coffee.

An hour later, the inbox was absolutely bloated. Then I scanned the hourly rates and salary requirements.

Resumes are arriving from freelance graphic designers in the Americas, Europe, and Oceania. The highest rate I’ve received so far is from Naples – a real anomaly. The majority of median rates are coming from Scandinavia, which will make my choosing difficult. The lowest rates I’ve received are from, get this, New York City. With experience from three to eight years, these low rates range from $15 to $25 per hour. That’s freelance, not full-time. Three years, maybe… but eight!? Their work is not bad either. In fact, I’ve received only a few dud portfolios. Most of the work looks very good.

So I’m here to report, the future of graphic design quality looks very bright. Economically though, sort of bleak. But there are definite rumblings of an imminent recovery. We’re all just waiting for it. Tony Gervino said it best in his recent post Uneasy as A, B, C. “As I look around me, It seems to me like everyone is leaning forward, trying to will themselves to pass through these uncertain times as quickly as possible.”

For folks in the US, may I recommend if you currently have a job or contract, to stay put. If you don’t have a job, brace yourself to weather this storm as current competition on the street is brutal. If you don’t like any of those scenarios, start your own business. This is the perfect time to start a business. Above all, keep your chin up and work to raise those rates!
That is, unless you’re working for me. :-)